Changes
The character has an encyclopedic knowledge of the substances able to affect living bodies. Which ones exists, how to recognise their use and how to use them in all sorts of ways, including poisons, counterpoisons and assistance for healing
{{Feats
| Synonyms = Apothecary, Herbalist, Pharmaceutics, Poison, Antidotes,
| Prowess? = No
| Archetype? = No
| Description = From Hippocrates' treaties to Socrates' hemlock, to Mitridate; from Abu al-Abbas al-Nabati to Hildegard of Bingen, to Romeo and Juliet; the medieval world inherited an extensive knowledge of substances that can affect humans, both as dangers and helps. Some of it academic knowledge, some of it empirical or oral tradition transmitted word of mouth or from mothers to daughters since the dawn of time. In the middle ages, the apothecaries are open to the public and anyone can purchase medicinal substances from them. But most remedies can be used to kill, too, and poisoning became a fairly common technique of assassination. In parallel, antidotes started to become more and more well known.
However, all of these knowledges varied widely from one specialist to another. Additionally evaluating how concentrated in active ingredient a given product or a direct extract was, required a lot of experience.
Pharmaceutics can help for lots of other things: soporifics, sedatives, stimulants of all sorts, even contraceptives. And although anaesthesia wasn't invented yet, some substances existed to help deal with the pain.
The whole discipline is also heavily shrouded in religious of magical thinking, sometimes bordering on black magic: A few drops of belladonna dilates the pupils, making women more attractive to the opposite sex -a love potion-; unguent are made using animal fat, but using human fat makes them more efficient; mandrakes, toad mucus, mushrooms... all of these can help with the mood, sometimes even the soul.
The character has an encyclopedic knowledge of the substances of plant, mineral or animal origins, able to affect living bodies. Which ones exists, how to recognise the symptoms of their use and how to use them in all sorts of ways, including poisons and counter-poisons.
nb: Poisoning being very common, it isn't necessarily a much more inconspicuous way to kill than.. say.. an axe in the head.
The character isn't a medical doctor, can't help much with broken bones or aching teeths, but can certainly assist for healing (roll a die six).
}}
<!-- Fill the fields above to create your Feat, Archetype or Prowess. Once created, it will be Unofficial at first.
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After a quick review by the Prima Team and few modifications, it can be made Official.
Make sure to monitor the "Discussion" part of this Article to see eventual comments made by the review team.
To do that, please create an account and select "Watch this page" while editing this Feat.
Advices on creating Feats :
A Feat is a massive advantage granted to the finest of the finest after a life of training. Most normal people don't have Feats at all.
A person with the Agile Feat, is qualified to be in the Olympics (not win, but at least participate)
A person with the Rich Feat is the richest man in his city.
Etc..
While creating a Feat, make sure with your Game Master that there is no other Feat that would be Synonym (e.g. would have the same final game effect). If yes, add it as a Synonym rather than create a new Feat.
For example, Courage is a synonym of Fanatism, not because they are the same concept, but because they have a similar in game effect.
And finally, make sure that the Feat is useful but not too useful, this depends on the scenarios and campaign you're playing.
Advices on creating Archetypes :
A typical archetype is either :
A disadvantage that grants two feats freely chosen.
or
Two Feats imposed by the Archetype and one Feat to be chosen in a list.
Or (more rarely)
One Feat imposed and two to be chosen in a list
Advices on creating Prowesses :
A Prowess can only be used once per scenario and allows the character to do a special action.
A Prowess is a type of non-visual spell. It is possible only if there is an explanation to the limit of the scientifically plausible and it is up to the player to justify it with the game master before using his prowess.
For example, it is humanly impossible to heal someone who has been decapitated, but it is not impossible to treat someone who's throat have been slit. It is very difficult, very rare, but scientifically plausible.
Like any Feats, a character can only take a Prowess once.
-->
| Synonyms = Apothecary, Herbalist, Pharmaceutics, Poison, Antidotes,
| Prowess? = No
| Archetype? = No
| Description = From Hippocrates' treaties to Socrates' hemlock, to Mitridate; from Abu al-Abbas al-Nabati to Hildegard of Bingen, to Romeo and Juliet; the medieval world inherited an extensive knowledge of substances that can affect humans, both as dangers and helps. Some of it academic knowledge, some of it empirical or oral tradition transmitted word of mouth or from mothers to daughters since the dawn of time. In the middle ages, the apothecaries are open to the public and anyone can purchase medicinal substances from them. But most remedies can be used to kill, too, and poisoning became a fairly common technique of assassination. In parallel, antidotes started to become more and more well known.
However, all of these knowledges varied widely from one specialist to another. Additionally evaluating how concentrated in active ingredient a given product or a direct extract was, required a lot of experience.
Pharmaceutics can help for lots of other things: soporifics, sedatives, stimulants of all sorts, even contraceptives. And although anaesthesia wasn't invented yet, some substances existed to help deal with the pain.
The whole discipline is also heavily shrouded in religious of magical thinking, sometimes bordering on black magic: A few drops of belladonna dilates the pupils, making women more attractive to the opposite sex -a love potion-; unguent are made using animal fat, but using human fat makes them more efficient; mandrakes, toad mucus, mushrooms... all of these can help with the mood, sometimes even the soul.
The character has an encyclopedic knowledge of the substances of plant, mineral or animal origins, able to affect living bodies. Which ones exists, how to recognise the symptoms of their use and how to use them in all sorts of ways, including poisons and counter-poisons.
nb: Poisoning being very common, it isn't necessarily a much more inconspicuous way to kill than.. say.. an axe in the head.
The character isn't a medical doctor, can't help much with broken bones or aching teeths, but can certainly assist for healing (roll a die six).
}}
<!-- Fill the fields above to create your Feat, Archetype or Prowess. Once created, it will be Unofficial at first.
But don't worry :-)
After a quick review by the Prima Team and few modifications, it can be made Official.
Make sure to monitor the "Discussion" part of this Article to see eventual comments made by the review team.
To do that, please create an account and select "Watch this page" while editing this Feat.
Advices on creating Feats :
A Feat is a massive advantage granted to the finest of the finest after a life of training. Most normal people don't have Feats at all.
A person with the Agile Feat, is qualified to be in the Olympics (not win, but at least participate)
A person with the Rich Feat is the richest man in his city.
Etc..
While creating a Feat, make sure with your Game Master that there is no other Feat that would be Synonym (e.g. would have the same final game effect). If yes, add it as a Synonym rather than create a new Feat.
For example, Courage is a synonym of Fanatism, not because they are the same concept, but because they have a similar in game effect.
And finally, make sure that the Feat is useful but not too useful, this depends on the scenarios and campaign you're playing.
Advices on creating Archetypes :
A typical archetype is either :
A disadvantage that grants two feats freely chosen.
or
Two Feats imposed by the Archetype and one Feat to be chosen in a list.
Or (more rarely)
One Feat imposed and two to be chosen in a list
Advices on creating Prowesses :
A Prowess can only be used once per scenario and allows the character to do a special action.
A Prowess is a type of non-visual spell. It is possible only if there is an explanation to the limit of the scientifically plausible and it is up to the player to justify it with the game master before using his prowess.
For example, it is humanly impossible to heal someone who has been decapitated, but it is not impossible to treat someone who's throat have been slit. It is very difficult, very rare, but scientifically plausible.
Like any Feats, a character can only take a Prowess once.
-->
